Photograph of two women in their late thirties in a small vintage record store after closing time. One, with a cropped black pixie cut, a few grey strands and gold hoop earrings, sits on the wooden counter wearing a loose oatmeal cardigan slipping off one shoulder over a thin black camisole and high-waisted jeans; the other, a Black woman with a short natural afro and laugh lines, stands close beside her in a fitted burgundy turtleneck. They hold a vinyl record sleeve between them, foreheads almost touching, laughing softly. Crates of records, warm #E9A23B tungsten lamps, a small sign hanging on the glass door reads "CLOSED". 35mm film photo, soft grain, shallow depth of field.
Photograph of a woman in her mid-thirties with damp, tousled auburn hair sitting on the edge of a motel bed at night, wearing a champagne silk slip dress with one thin strap slipped off her shoulder, legs crossed, looking toward the camera with a calm, knowing expression. Through the window behind her, a pink neon sign reads "VACANCY". The sign washes the room in #FF4F8B magenta mixed with cool #3AA7FF blue. 35mm film photo, visible grain, slightly soft focus at the edges.
Same man, same face and beard, alone in the frame. It is now late at night after work: his suit jacket is gone, his navy tie hangs loose and untied around his neck, and his white shirt is fully unbuttoned and hanging open over his bare chest, sleeves rolled to the elbows. Replace the bright office with a dim hotel bar of dark wood and warm #D98E04 amber lamps. He leans one elbow on the bar holding a glass of whiskey and gives a slow, confident smile toward the camera. Realistic photograph, shallow depth of field. No other people.
Combine the two people into one scene: the woman from image 1 and the man from image 2 slow-dancing close together in an old stone wine cellar lit by candles. Keep both faces exactly as in the photos, with the same age, features and fine lines; her face is turned toward the camera, resting against his shoulder. She now wears a midnight-blue silk dress with thin straps and an open back, her hair still in a low bun with small gold hoop earrings; he wears a white dress shirt open at the collar with the sleeves rolled up, and dark trousers. His hand rests on her bare lower back. Warm #F4A259 candlelight, deep shadows, 35mm film look.
Photograph of two men in their late thirties on the teak deck of a sailboat at golden hour. One, shirtless and sun-tanned with a short dark beard, sits on the deck coiling a rope; the other, in an unbuttoned white linen shirt and navy swim shorts, leans against the mast laughing and holds out a plain brown glass bottle to him. Low warm sun flaring behind the sail, sea in #2E6F95, light sea spray, candid documentary style, 35mm.
同じ男性、別の夜。 元画像は明るいオフィスのヘッドショットで、チャコールのスーツ、白いシャツ、ネイビーのネクタイです。編集でジャケットを脱ぎ、ネクタイを緩め、シャツの前を開けて、ウイスキーのグラスを持つ姿を、ダークウッドのホテルバーに移しました。顔、ひげ、肌の色は引き継がれ、auto では 1344 x 1792 の元画像が 880 x 1168、つまり同じ形の約100万画素で返りました。
二人のポートレートを1つの場面に。 一枚目の黒いタートルネックの女性と、別の写真のネイビーのセーターの男性が、キャンドルの灯る石造りのワインセラーでスローダンスをしています。3:2、2k（2048 x 1360）です。女性のローバンと金のフープピアスは残り、二人の顔はそれぞれの元写真に近いままで、ミッドナイトブルーのドレスと彼の開いた白いシャツは新しく描かれたものです。
サイズ。 1k では約100万画素の形になります（1:1 は 1024 x 1024、16:9 は 1344 x 768、3:4 は 896 x 1152）。2k では長辺が 2048 です（3:2 は 2048 x 1360、2:3 は 1360 x 2048、16:9 は 2048 x 1152）。
写真のブリーフは、文章でまるごと書きましょう。誰が（年齢つきで）、何を着て、どこで、どんな光で、どんなフィルムやレンズの質感か、という順です。画像に入れたい文字は引用符で囲み、どこに置くかも書きます。ランプやネオンの色を付けたい箇所の隣には、16進コードを置きます。編集では、まず残すものを書き（「Same man, same face and beard」）、続けて変更点を並べ、写真を組み合わせるときは画像番号で人物を指定します。
Photograph of two women in their late thirties in a small vintage record store after closing time. One, with a cropped black pixie cut, a few grey strands and gold hoop earrings, sits on the wooden counter wearing a loose oatmeal cardigan slipping off one shoulder over a thin black camisole and high-waisted jeans; the other, a Black woman with a short natural afro and laugh lines, stands close beside her in a fitted burgundy turtleneck. They hold a vinyl record sleeve between them, foreheads almost touching, laughing softly. Crates of records, warm #E9A23B tungsten lamps, a small sign hanging on the glass door reads "CLOSED". 35mm film photo, soft grain, shallow depth of field.
Photograph of a woman in her mid-thirties with damp, tousled auburn hair sitting on the edge of a motel bed at night, wearing a champagne silk slip dress with one thin strap slipped off her shoulder, legs crossed, looking toward the camera with a calm, knowing expression. Through the window behind her, a pink neon sign reads "VACANCY". The sign washes the room in #FF4F8B magenta mixed with cool #3AA7FF blue. 35mm film photo, visible grain, slightly soft focus at the edges.
3. 同じ男性、別の夜。 編集、image_urls に元画像を1枚、aspect_ratio は auto のまま。
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Same man, same face and beard, alone in the frame. It is now late at night after work: his suit jacket is gone, his navy tie hangs loose and untied around his neck, and his white shirt is fully unbuttoned and hanging open over his bare chest, sleeves rolled to the elbows. Replace the bright office with a dim hotel bar of dark wood and warm #D98E04 amber lamps. He leans one elbow on the bar holding a glass of whiskey and gives a slow, confident smile toward the camera. Realistic photograph, shallow depth of field. No other people.
自分のポートレートで、FLUX.2 Dev の編集ページから試せます。冒頭の「alone in the frame」と、末尾の他の人物についての一文が、彼の背後に余計な人物が現れるのを防ぎます。
Combine the two people into one scene: the woman from image 1 and the man from image 2 slow-dancing close together in an old stone wine cellar lit by candles. Keep both faces exactly as in the photos, with the same age, features and fine lines; her face is turned toward the camera, resting against his shoulder. She now wears a midnight-blue silk dress with thin straps and an open back, her hair still in a low bun with small gold hoop earrings; he wears a white dress shirt open at the collar with the sleeves rolled up, and dark trousers. His hand rests on her bare lower back. Warm #F4A259 candlelight, deep shadows, 35mm film look.
