Fashion magazine cover photograph. The masthead across the top, in tall elegant serif capitals, reads "NOCTURNE". A woman in her early thirties with a sleek dark bob stands on the curving concrete spiral staircase of a brutalist concert hall at night, wearing a plunging emerald velvet gown with a thigh-high slit, one hand on the brass rail, looking down at the camera. Small cover lines on the left read "The Night Issue" and "Velvet, Concrete & Sound". A small barcode in the lower right corner. Low-key cinematic lighting, deep green and charcoal palette.
Cinematic film poster. A man in his late thirties with stubble and tousled dark hair, wearing a black shirt unbuttoned to the chest, leans against the window of a narrow corridor on an old night train, red emergency light on his face and station lights streaking past outside. Large title at the bottom in bold condensed sans serif: "LAST TRAIN TO LISBON". Beneath it a small block of credits and the line "IN CINEMAS THIS WINTER". Film grain, teal and red grade.
Design the blank album sleeve she is holding: a moody duotone photograph of ocean waves at night in deep blue and rust, with the title "MIDNIGHT TIDE" in large bold sans serif and the band name "The Low Hours" in small capitals beneath it. Keep both women, their clothes, their pose and the record store exactly as they are.
Take her from the greenhouse to an opera house at night: she sits in a red velvet box seat, leaning on the gilded balcony rail, wearing a backless black silk gown with her auburn hair pinned up and diamond drop earrings, looking back over her shoulder, the lit stage and a crystal chandelier softly blurred behind her. Keep her face and her hair colour.
Combine the three images: the man from image 1 wears the cognac suede overshirt from image 2, unbuttoned over a white undershirt, and stands beside the brass telescope in the observatory from image 3 at night, one hand on the eyepiece, starlight from the open dome and the warm desk lamp on his face. Keep his face, and keep the jacket's colour, brass snaps and chest pockets exactly.
Cinematic widescreen film still at blue hour outside a desert motel. Two women in their early thirties, a lesbian couple, sit close together in a mint-green vintage convertible parked under a glowing pink neon sign that reads "VACANCY". One wears a white halter top and high-waisted shorts and rests her head on the shoulder of the other, who wears an unbuttoned denim shirt over a black bralette, sunglasses pushed up into her hair. Desert mountains, the first stars, warm lit motel windows behind them.
One continuous ultra-wide panoramic photograph, a single unbroken scene from edge to edge, inside a packed warehouse rave at three in the morning: green laser beams cut through the haze above a dancing crowd that fills the whole frame under steel roof trusses. In the middle of the crowd two men in their thirties, a gay couple, dance forehead to forehead, one in an open black mesh shirt and one shirtless with a thin gold chain, sweat glinting under the lasers.
文字の描画。 Google が真っ先に挙げる更新点で、期待に応えました。NOCTURNE の表紙には題字と、2 本のカバーライン "The Night Issue" と "Velvet, Concrete & Sound" がアンパサンドまで含めて入り、映画ポスターには "LAST TRAIN TO LISBON" の上に "IN CINEMAS THIS WINTER" が入ります。砂漠のモーテルでヴィンテージのコンバーチブルにもたれる 2 人の女性を描いた 21:9 の映画のワンシーンでは、ピンクのネオンサインに "VACANCY" と読めます。編集では、レコード店で女性が持っていた白紙のアルバムスリーブを、"The Low Hours" による "MIDNIGHT TIDE" というタイトルでデザインし、2 人の女性と店はそのままでした。読める文章を勝手に作ることはしません。ポスターのタイトルの下の名前とバーコードの数字は、近くで見るとダミーでした。大事な言葉は引用符で囲んでください。
ウェブ検索。 同じ 1 行のプロンプト "today's weather forecast poster for Tokyo with the date" を 2 回送りました。enable_web_search をオンにすると、ポスターには正しい日付、2026年10月7日水曜日が入りました。オフでは、モデルが 10月24日という日付を作り話で埋めました。enable_image_search も試しました。画像は返りましたが、測定できる差は見られませんでした。
キーワードの羅列ではなく、指示書を書きます。最初に媒体（「Fashion magazine cover photograph.」）、次に被写体、衣装、場所、最後に光とパレットです。文字の行はすべて二重引用符で囲み、位置と書体のスタイルを添えます。編集では、何を変えるかを書いてから、何を残すかを書きます。複数の元画像がある場合は、順番で呼び（「the man from the first image」）、image_urls もその順に送ります。登場する人物はすべて成人にし、テキストから画像のプロンプトでそう書いてください。編集では、人物はあなたの元写真から来ます。
Fashion magazine cover photograph. The masthead across the top, in tall elegant serif capitals, reads "NOCTURNE". A woman in her early thirties with a sleek dark bob stands on the curving concrete spiral staircase of a brutalist concert hall at night, wearing a plunging emerald velvet gown with a thigh-high slit, one hand on the brass rail, looking down at the camera. Small cover lines on the left read "The Night Issue" and "Velvet, Concrete & Sound". A small barcode in the lower right corner. Low-key cinematic lighting, deep green and charcoal palette.
Take her from the greenhouse to an opera house at night: she sits in a red velvet box seat, leaning on the gilded balcony rail, wearing a backless black silk gown with her auburn hair pinned up and diamond drop earrings, looking back over her shoulder, the lit stage and a crystal chandelier softly blurred behind her. Keep her face and her hair colour.
Combine the three images: the man from the first image wears the cognac suede overshirt from the second image, unbuttoned over a white undershirt, and stands beside the brass telescope in the observatory from the third image at night, one hand on the eyepiece, starlight from the open dome and the warm desk lamp on his face. Keep his face, and keep the jacket's colour, brass snaps and chest pockets exactly.
One continuous ultra-wide panoramic photograph, a single unbroken scene from edge to edge, inside a packed warehouse rave at three in the morning: green laser beams cut through the haze above a dancing crowd that fills the whole frame under steel roof trusses. In the middle of the crowd two men in their thirties, a gay couple, dance forehead to forehead, one in an open black mesh shirt and one shirtless with a thin gold chain, sweat glinting under the lasers.
Google の Pro の画像モデルは？Nano Banana Pro は、Google が 2.1 を「より効率的な対になるモデル」と呼ぶときの比較対象です。同じブラインドテストの問題で、Pro は 74.4（10月5日）、2.1 は 75.6（10月7日）で、選ぶ決め手にはならない小さな差です。Nano Banana Pro のレビューもご覧ください。
