Editorial photograph of a woman in her thirties with dark hair pinned up in a loose low bun, wearing a backless emerald silk evening gown in #0F5C4A with thin crossed straps, standing at the glass railing of a rooftop bar at blue hour and glancing back over her bare shoulder at the camera. City lights melt into soft bokeh behind her, a warm amber lamp rims her shoulder blades and the silk, cool blue ambient light over the skyline. Shot on an 85mm lens at f/1.8, fine skin texture, realistic fabric sheen.
A glossy men's lifestyle magazine cover. Two men in their late thirties share the frame on a dark velvet sofa: one with a trimmed black beard wears an unbuttoned black silk shirt open to the chest, the other, clean-shaven with silver-flecked hair, wears a white sleeveless undershirt and rests his arm along the sofa behind him; they lean close, relaxed and smiling. Moody tungsten side light against a deep oxblood background in #4A0E1A. A large bold condensed serif masthead across the top reads "AFTER HOURS" in warm ivory #F4E9D8. Cover lines on the left read "THE NIGHT ISSUE" and "Slow Dancing, Late Checkout". A small line at the bottom right reads "NO. 07 / WINTER". Crisp, correctly spelled print typography.
Place the woman from image 1 and the woman from image 2 together in the bookshop from image 3. The woman from image 1 sits on the green leather sofa reading an open hardback book; the woman from image 2 sits on the arm of the sofa beside her, leaning in to read over her shoulder and laughing. Keep both faces, hairstyles and outfits exactly as in their photos. Match the warm lamp light of the bookshop on their faces and clothes, with natural shadows on the sofa. Realistic photograph.
Cinematic film still in a 1970s hotel corridor with patterned carpet and walls painted deep burgundy #7A1F2B, lit by warm brass wall sconces. A woman in her thirties in a champagne satin slip dress with thin straps and a man in his thirties in a white tuxedo shirt unbuttoned at the collar, black bow tie hanging undone, walk toward their room hand in hand; she laughs and looks back at him. Anamorphic widescreen framing, shallow depth of field, soft film grain.
Replace the grey studio backdrop with a small fishing harbor at golden hour, wooden boats and a stone pier softly out of focus behind him. Relight him with low warm sunlight from the left, a gentle rim of light on his hair and beard and cool blue shade on the right side of his face. Keep his face, beard, expression and grey sweater exactly the same.
10月8日のブラインドテストでは100点満点中71.8点でした。内訳は、プロンプト忠実度が73.4、画像品質が72.7（各14問）、編集の一貫性が65.0（編集6問）で、メーカーの異なる3つの AI 審査員がブラインドで採点しています。同じ問題と基準で、FLUX.2 Pro は69.4、FLUX.2 Flex は72.1でした。この標本数では Max と同点と見てよい差です。Nano Banana 2.1 は75.6、Nano Banana Pro は74.4で、測定日はそれぞれ10月7日と5日です。編集の一貫性の65.0は、他のどの FLUX.2 モデルよりも上でした（Pro 63.7、Flex 58.8）。文字の問題2問はどちらも綴りが正確でしたが、問題数が少なく、文字のサブスコアは公表していません。
一般投票のリーダーボード（2026年10月8日のスナップショット）では、Max と Pro の両方が載っている4つのボードのうち3つで Max が上でした。LMArena のテキストから画像は 1162.1（82位中29位）で Pro の 1153.3（32位）を上回り、Artificial Analysis のテキストから画像は 1019.8（168位中29位）で 1003.6（42位）を上回り、LMArena の画像編集は 1261.7（59位中34位）で 1245.4（36位）を上回りました。Artificial Analysis の画像編集ボードでは順位が逆転し、Max が 996.9（81位中50位）、Pro が 1007.4（42位）です。
1枚の写真の編集。 グレーのスタジオの壁の前で撮ったチャコールのセーターの男性を、ゴールデンアワーの漁港に移し、背後に船を置きました。顔、ひげ、表情、セーターが保たれ、auto では元画像の3:4の形（896 x 1184）が保たれました。別のポートレートのブラインドのライティング変更では、左からマゼンタ、右からシアンの光を頼みましたが、Max は左に強いマゼンタを置いた一方、右側はほぼ真っ黒になりました。
ブラインドテストの詳細。 手と時計の答えが、Max にお金を払う理由です。5個の風船は Pro も同じでした。外したのは、縁までいっぱいのワイングラスと暗いライティング変更の2点です。湖畔の小屋の雪景色への編集、カフェのある通りの水彩画への変換、ビーチから人物を消す編集は、いずれも頼んだとおりに返りました。
サイズ。 1k は約100万画素です（1:1 で 1024 x 1024、16:9 で 1344 x 768、3:4 で 896 x 1152）。2k は長辺が 2048 ピクセルです（21:9 で 2048 x 880、2:3 で 1360 x 2048）。構図は 1k で固め、採用する1枚を 2k で描き直しましょう。料金の差は $0.0181 です。
Editorial photograph of a woman in her thirties with dark hair pinned up in a loose low bun, wearing a backless emerald silk evening gown in #0F5C4A with thin crossed straps, standing at the glass railing of a rooftop bar at blue hour and glancing back over her bare shoulder at the camera. City lights melt into soft bokeh behind her, a warm amber lamp rims her shoulder blades and the silk, cool blue ambient light over the skyline. Shot on an 85mm lens at f/1.8, fine skin texture, realistic fabric sheen.
A glossy men's lifestyle magazine cover. Two men in their late thirties share the frame on a dark velvet sofa: one with a trimmed black beard wears an unbuttoned black silk shirt open to the chest, the other, clean-shaven with silver-flecked hair, wears a white sleeveless undershirt and rests his arm along the sofa behind him; they lean close, relaxed and smiling. Moody tungsten side light against a deep oxblood background in #4A0E1A. A large bold condensed serif masthead across the top reads "AFTER HOURS" in warm ivory #F4E9D8. Cover lines on the left read "THE NIGHT ISSUE" and "Slow Dancing, Late Checkout". A small line at the bottom right reads "NO. 07 / WINTER". Crisp, correctly spelled print typography.
Cinematic film still in a 1970s hotel corridor with patterned carpet and walls painted deep burgundy #7A1F2B, lit by warm brass wall sconces. A woman in her thirties in a champagne satin slip dress with thin straps and a man in his thirties in a white tuxedo shirt unbuttoned at the collar, black bow tie hanging undone, walk toward their room hand in hand; she laughs and looks back at him. Anamorphic widescreen framing, shallow depth of field, soft film grain.
Place the woman from image 1 and the woman from image 2 together in the bookshop from image 3. The woman from image 1 sits on the green leather sofa reading an open hardback book; the woman from image 2 sits on the arm of the sofa beside her, leaning in to read over her shoulder and laughing. Keep both faces, hairstyles and outfits exactly as in their photos. Match the warm lamp light of the bookshop on their faces and clothes, with natural shadows on the sofa. Realistic photograph.
自分の写真で、FLUX.2 Max の編集ページから試せます。きちんと服を着た元のポートレートは通りますが、ほのめかしのあるものは拒否されます。
