Paper Layers builds your subject out of stacked sheets of colored paper, like a handmade shadow box. Every element — the figure, the window, the waves, the clouds — is cut into a clean shape and set on its own layer, with soft shadows falling between them. A warm glow from behind makes the edges light up and gives the whole piece real depth, and the palette stays gentle and pastel: peach, sage, powder blue, cream.
You write the subject; the style supplies the scissors and the depth. Scenes with a foreground, a middle and a background work beautifully: a woman reading under an arched window with a village behind her, a man walking down a street of stepped houses, a cat on a sill with a tree outside, a lighthouse above rolling paper waves. The more layers a scene naturally has, the richer the result.
Use it for greeting and wedding cards, picture-book spreads, festival and holiday posters, shop windows and wall art, and anything that should look crafted rather than rendered. For soft wool instead of paper, use Felt & Yarn; for painted picture-book pages, Storybook Gouache; for see-through glass, Blown Glass.
For this composition, we recommend 4:5, with 3:4 as another framing option. Paper Layers also works on an uploaded image: in image-to-image mode it remakes your photo as a layered papercut shadow box with soft shadows and a warm backlight, and keeps the composition, pose and clothing unchanged. Landscapes and simple scenes with clear depth convert best.
Subjects to paste as they are: “a lighthouse above rolling waves under a big moon”, “a small town on a hill with a winding road”, “a woman reading under an arched window with a garden behind her”. Name things near, middle and far, and each one becomes its own layer.
Finishes that work on top: Golden Hour for a sunset glow through the paper, Soft Bloom for a softer backlight.