Cinematic Still turns any subject into a frame from a film. The picture goes widescreen, the light comes from things that could be in the scene — a lamp, a neon sign, a car’s headlights — the grade splits into teal shadows and amber highlights, and bright points bloom with a soft halation you only see on film.
Write a moment rather than a portrait: a man waiting at a rainy bus stop, a woman reading a letter at a kitchen table at night, a cat watching snow from a windowsill, a lighthouse beam cutting through fog. The style supplies the lens, the light and the grade, so the image feels like it belongs to a story that started before it and continues after.
For this composition, we recommend 21:9, with 16:9 as another framing option. That shape alone does a lot of the work; keep it if you can.
Cinematic Still also works on an uploaded image. In image-to-image mode it regrades your picture — light, color, depth and halation — and keeps the composition, pose and clothing untouched. It is a quick way to make a phone photo look like a scene from a film. For a black-and-white version, use Noir Monochrome.
Subjects to paste as they are: “a man in a raincoat waiting at a bus stop under a flickering streetlight”, “a woman reading a letter at a kitchen table at night”, “a lighthouse beam cutting through heavy fog”. Every one of them suggests a story, and the style frames it like a film.
Finishes that work on top: Film Grain for a more analog print, Soft Bloom for extra halation around lights, Golden Hour for a warm exterior scene. For black and white, use Noir Monochrome rather than the Monochrome finish.