Ink Wash turns your subject into a brush painting in the East Asian ink tradition, often called sumi-e: black ink diluted into every grey between paper white and deep black, a few confident strokes that suggest far more than they draw, the soft fibers of rice paper, and a great deal of empty space that is as important as the ink.
It is at its best with nature and quiet subjects: bamboo in wind, a heron in reeds, a lone fisherman on a river, a cat on a garden wall, mountains in mist, a lighthouse on a rocky point. People work well too when they are part of a landscape rather than a close-up.
Use it for posters, tattoo and logo sketches, book covers, calm wall art and anything that needs a timeless, minimal image. Because it is monochrome, it prints beautifully on any paper.
Ink Wash also repaints uploaded images while keeping the composition, pose and clothing. For this composition, we recommend 2:3, with 3:4 as another framing option. For color, try Soft Watercolor. Animals are wonderful in ink: a cat, a horse or a crane drawn in a few strokes often looks better than a detailed scene.
Subjects to paste as they are: “a lone fisherman in a small boat on a misty river”, “a heron standing among tall reeds”, “a pine tree on a rocky cliff in the wind”. Nature and small figures in wide space are where ink painting feels most at home.
Finishes that work on top: Soft Bloom adds a gentle mist between the strokes. Golden Hour has little effect on a monochrome painting, and the Monochrome finish is disabled because it would repeat the style.